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Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor. “As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm. “Oh ’bout the fairies an’ stars an’ lovely things that grownups know nothin’ about.”.

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“Do you know that piece of music called ‘The Rose of Larst Summer’?” inquired the musical connoisseur. “All over the house does she put them?” the child asked after she had snipped a fragrant heap. “Been talkin’ to a grave-digger?” queried Mrs. Wopp, of her offspring, as Moses selected a comfortable seat, his sober face still bearing traces of the last few days’ anxiety. She looked on the solicitude of Moses with an approving eye, but it was necessary, however, to hide her maternal pride by a series of assaults upon him on every possible pretext. Her banterings also helped to keep her son and heir in the spotlight. “She can’t, you know; she and sister have to work hard to make what we spend now. I don’t do half enough myself.”.